Listed below is a current selection of available giclee prints from my Abstract Series which can be printed on a variety of substrates including canvas, fine art paper, metal, acrylic, wood and more. Check back regularly, as new prints are continually added!

For interest in purchasing originals, please contact me about which works are of interest so that I can direct you to the appropriate Gallery and Dealers.

After working in the mode of intuitive abstraction for the past 8 years, (where my motifs slowly emerged over time without preconceived compositions or plans for what a painting would become), these latest works take a different approach. My recent paintings are a direct response to becoming artistically inspired by the forms, colors, aesthetic qualities, and explosive expressiveness that I've come to see and explore in floral bouquets. Inevitably, within this series, I can’t help but also nod to the cultural and symbolic history of floral bouquets and what they symbolize in all its different contexts, including the historical artistic fascination with its aesthetics. While I explore this new medium, although I incorporate drawing as a more deliberate approach to meditating on the specificity of forms, within this exploration, the interpretation of these paintings as abstract vs. representational remains slippery.

My abstract paintings are a response to the tender and emotional relationships within my life, rooted in notions of touch, love, and wonder that I experience as the result of being a parent, wife, artist, friend, and humble observer of the world. Being a parent has heightened my senses and clarified my desire to express an inner joy, wonder, and a contented unknowing about life. Observing my children grow at a remarkable speed has reinforced my understanding that, like the making and experiencing of a painting, life itself is never static. We are constantly in flux, and the ways in which we see, perceive, and interpret the world around us (including art) are always changing. Dashes of paint, gestural strokes, and rhythmic painterly marks that appear, become metaphors for human touch, personal exchange, energy, and the shifting of time. Likewise, I am interested in what becomes present from the physical, energetic and emotive act of painting itself. Consequently, as my viewer sits before my painting, the illusions that appear before them which feel both familiar and mysterious are what is the most compelling to me.